Search results for "museum of art"

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La dimensione tecnologica del museo: forme, tecniche, "identità mutanti" tra storia e contemporaneità

2005

Nella cultura contemporanea il tema della conservazione dell’eredità storica, della rappresentazione e della trasmissibilità dell’arte è argomento ampiamente dibattuto. La forza culturale del museo, detentore dell’eredità, può essere interpretata secondo diverse traiettorie di forme. La memoria intende esprimersi sulle origini e sul significato della "macchina museale" attraverso l’analisi critica dell’oggetto, sia esso contenitore, palco di rappresentazione o scena interattiva. Sonda i processi di comunicazione relativamente alla forma architettonica, alla funzione ed alla fruizione del prodotto espositivo. Tenendo conto delle diverse scuole di pensiero sulla spettacolarizzazione dell’arte…

In present days the storical heritage the transmission of art and its performance is very important argument of debate. Its representation is the building museum in many different forms. The building museum of art is the most important place for exsposition of masterpieces instead the museum of architecture exhibits the works through projects and patterns. Today museum reconstructs the human perception of space using new technologies. The same thing happens for the museum of science and technique where the visitor gets involved in scientific representation. Therefore museum can be a place of study and scientific research. It can be either memory of past times or place of contemporaneity. This study expresses origin and meaning of building museum through the critical analysis of architectonic forms technological aims and the proper use of the exspositive space.Settore ICAR/12 - Tecnologia Dell'Architettura
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Museum coloniality : displaying Asian art in the whitened context

2021

The transformation of Musée Guimet and the transition of museums in the ‘countries of origin’ of its collections elucidates how white-cube crystallises Western cultural hegemony by erasing the colonial past of the objects and by representing the physical form of modernity. It contributes as well to nullifying the demand of repatriation, which seems to merely raise new power struggles rather than to recover indigenous beliefs (or identities). Through such a muséographie, the deities of the Other are ‘elevated’ from ethnographic specimen into art in the West while ‘diminished’ from sacred icons into art or historical artefacts in Asia. Museumification as such constitutes a whitening (Westerni…

uskonnollinen taidekolonialismimuseum of religionsmuseum of artdelinkingnäyttelyarkkitehtuuricolonialityetnografiset museotMusée Guimetvalkoinen kuutiomuseotnäyttelysuunnitteludekolonisaatiotaidemuseotwhite-cube
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